Kento Nagao(Member of Naniwa Danshi)
Audio Guide Narrator
Hello, I’m Kento Nagao from Naniwa Danshi.
Welcome to Uzumasa Studios, Japan’s premier hub of film production.Here in Kyoto’s Uzumasa district, a film studio was first established, and in 2026 it will mark its 100th anniversary. Over the years, as many as thirteen studios were founded in this area, earning Uzumasa the nickname “The Hollywood of Japan.”Countless jidaigeki — Japanese period dramas that continue to be celebrated today — were created right here.As we look back on a century of Uzumasa Jidaigeki, I invite you to discover the timeless depth and enduring appeal of this uniquely Japanese cinematic tradition.
In 2026, Uzumasa marks 100 years of its enduring journey with jidaigeki, Japan’s period drama.
In March 1926, the Arashiyama Electric Railway’s Kitano Line was fully opened, linking the historic Nishijin district with Uzumasa—then an undeveloped area covered in bamboo groves. With the arrival of the railway, the foundation for a new film culture was quietly laid.
Just two months later, the celebrated actor Tsumasaburo Bando established a film studio in Uzumasa. This pivotal moment sparked rapid growth. Major studios such as Nikkatsu soon followed, along with productions led by Chiezo Kataoka and Kanjūrō Arashi. Within a radius of just 1.2 kilometers, as many as eight studios stood side by side.
Once said to be inhabited only by foxes and tanuki, Uzumasa soon transformed into a vibrant “town of film studios,” attracting major stars and filmmakers from across Japan. It eventually came to be known as “The Hollywood of Japan.”
When these studios were founded, only about sixty years had passed since the fall of the Edo shogunate. Jidaigeki—richly infused with the culture and spirit of the Edo period—felt both familiar and exciting to audiences, becoming one of the most beloved forms of popular entertainment.
Performers devoted to traditional music and theater, master temple carpenters and garden artisans preserving generations of craftsmanship, historic temples and shrines, and abundant natural scenery—all of these elements made Uzumasa an ideal setting for the creation of jidaigeki.
After World War II, jidaigeki produced in Uzumasa gained international acclaim and brought courage and hope to people across Japan. With the arrival of the great film boom, Uzumasa—alongside Tokyo’s contemporary cinema—became one of the pillars supporting the Japanese film industry.
In the 1960s, the stage of jidaigeki expanded from the silver screen into television and into living rooms across the nation, giving birth to countless classic works.
And today, with Shochiku and Toei continuing their productions, Uzumasa remains a sacred home of filmmaking—a true mecca of Japanese cinema that has supported the industry for a full century.
INTERVIEW
Mitsuhiko Seike
Major Works
[TV Dramas] Mito Kōmon, Ōoka Echizen, Onihei Hankachō, Mitsuya Seizaemon Zanjitsuroku, etc.
[Films] Shikakenin: Fujieda Baian, Kokurōjō, etc.
- Q1. What is the appeal of period dramas (jidaigeki)?
- Period dramas portray the human stories of people who lived in those eras. For us living in the modern world, they evoke a sense of romance and admiration for ancient times, and offer much that we can learn from.
- Q2. What would you like viewers to pay attention to when watching period dramas from now on?
- Every element — the story, of course, but also the set pieces, props, costumes, wigs, and more — is crafted with great care, so I truly hope viewers will enjoy all of it. The sword fight choreography also varies from work to work, so please look out for that as well.
Chikara Motoyama / Yukari Mitani
Major Works
Chikara Motoyama/Jūichi-nin no Zokugun,Samurai Taimusurippā,Onihei Hankachō: Kettō
Yukari Mitani/Ōoka Echizen,Mitsuya Seizaemon Zannichiroku,Shikakenin Fujieda Baian
- Q1. What is the appeal of period dramas (jidaigeki)?
- Even when a character doesn't want to kill, they may be forced to do so. Life-and-death situations profoundly affect and move the human heart. I think period dramas, in particular, have the ability to portray those emotions in great depth. That's what makes them so powerful. I'm always impressed by the richness and scale of the world they create.(Chikara Motoyama)
- Q2. What would you like viewers to pay attention to when watching period dramas from now on?
- or example, although no one has actually experienced being cut by a sword, each actor imagines what it would feel like and expresses it in their own way. The filming techniques make it look incredibly realistic, and of course that's also thanks to the hard work of the staff. When I see the finished product, I'm always amazed and think, “Wow, that's incredible.”(Yukari Mitani)
Yoshihito Asakura
Selected Works
Love’s Twisting Path (Tajuro Jun'aiki),Make Me a Slow Samurai,Adauchi at Kobikicho, etc.
- Q1. What is the appeal of period dramas (jidaigeki)?
- One of the greatest appeals of period dramas is their ability to portray a world that no longer exists today. They allow viewers to experience an imagined historical space that cannot be seen in modern life.
- Q2. What would you like viewers to pay attention to when watching period dramas from now on?
- For those who are new to period dramas, it can be helpful to learn about the social positions and roles of people from that era and relate them to modern-day occupations or responsibilities. By making these connections, the stories become easier to follow and can spark a deeper interest in history.
Koji Omura
Selected Works
Castle of the Black Iron, The Legend & Butterfly, The Last Princess (Chiri Tsubaki), etc.
- Q1. What is the appeal of period dramas (jidaigeki)?
- Many of my works beautifully portray the Japanese values of morality, love, loyalty, and other timeless virtues.
- Q2. What would you like viewers to pay attention to when watching period dramas from now on?
- What fascinates me is how contemporary actors bring to life the spirit and atmosphere of Japanese people who lived centuries ago, and how every department involved in the production faithfully recreates that world.
EVENT OVERVIEW
| ■ Title | Commemorating the Founding of Uzumasa Studios “100 Years of Uzumasa Jidaigeki” — The Filming Backstory |
|---|---|
| ■ Venue | Toei Kyoto Studio Park |
| ■ Dates | March 28, 2026 (Sat) – March 31, 2027 (Wed)(tentative) |
| ■ Organized by | Toei Company, Ltd. Toei Kyoto Studio Park Co., Ltd. Shochiku Studio Co., Ltd. |
| ■ Supported by | Kyoto Prefecture Kyoto City Agency for Cultural Affairs Motion Picture Producers Association of Japan Nikkatsu Corporation West Japan Railway Company |
| ■ In Cooperation with | UZUMASA Hollywood Project (Ritsumeikan University / University of Alberta) Keifuku Electric Railroad Co., Ltd. Nihon Eiga Broadcasting Corp. |
| ■ Opening Hours | 10:00 AM – 9:00 PM Closed every Tuesday (Open on Tuesdays if it’s a national holiday or during March, April, and November). |
| ■ Admission | Free |